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- Re-release of the older videos: How to Play The Jack by AC/DC
- Re-release of the older videos: How to Play Jailbreak by AC/DC
- Re-release of the older videos: How to play Hell’s Bells by AC/DC
- How it all started: The history of the SVDS
- Re-release of the older videos: How to Play C.O.D. by AC/DC – Guitar lession
- Re-release of the older videos: AC/DC’s Highway to Hell – Guitar lession
- Re-release of the older videos: AC/DC’s High Voltage – Guitar lession
- Re-release of the older videos: Gone shootin’ – Guitar lession
- Re-release of the older videos: You shook me all night long
- Re-release of the older videos: Riff Raff
- Re-release of the older videos: If you want blood (you’ve got it)
- Re-release of the older videos: Back in Black full live version
- Science Proof That Adults Can Too Learn At Any Age To Play Guitar (and many more things)…?
- Update on the SVDS Replica: Production started!
- Happy Birthday, Fil!
High Wattage – AC/DC’s Marshall amps through the years (Work in Progress – UPDATED: Back in Black era uncovered)
Hi my rockin' friend.
Sorry, you have to register to see me do this one!
If you have already registered, please login.
Cheers, SD
| Print article | This entry was posted by JaiminhoPagina on June 13, 2011 at 3:39 am, and is filed under Amplifier Reviews, Premium, reviews, Schaffer-Vega Diversity System. Follow any responses to this post through RSS 2.0. You can leave a response or trackback from your own site. |



about 2 weeks ago
Man, great stuff here! This is my first post. A friend on another fourm (who’s friend owns Hendrixs’ JTM45/100) was a big buyer/selller/trader of amps to a lot of rock stars out of his shop in Chicago I believe. Anyways, the story goes that Mal and Angus wanted to trade some amps while they were in Chicago. Apparently one of them was into collecting old Bassman amps and liked to trade locally while on tour. This guy had a vintage Fender Bassman, and Mal traded a super bass for it and another Marshall. Later they opened it up and one of the mods done to the super bass was just a tonestack change to the 70′s lead values. No idea whatever happened to this amp. The guy who had the store and did the trading has since passed, but my “friend” ended up with a few old “celebrity” amps. Sorry, none of it AC/DC’s stuff though.
Oh yeah, there’s also some old pics/vids of Mal and Angus playing through Orange gear at some point. That’s my two cents!
about 2 weeks ago
Welcome to the forum and thanks for sharing!
Regarding the Orange Amps – that was only one-off thing, when they played their first TV show in Europe called Rollin Bolan in Wimbledon Theatre, London on 13.7.1976. And it was only because anyone who played that show was forced to use that Orange backline. Even Mark Evans mentions this in his autobiography.
Here’s one of the vids (they played 3 songs):
http://youtu.be/zFFacTvpFcc
about 3 weeks ago
So the early JMP 1959′s (the the reissued 1959 is based on) with metal toggle switches, and the later 70s JMP red and black rocker switch 1959′s are they the exact same amp but with a different head box?
about 1 month ago
wow srsly some useful stuff here this page will always make a smile on my face
but whats with the combo? ive got some feelinf in my balls that theres rly something big going on with the combo
about 2 weeks ago
lol
about 2 weeks ago
i suggest u go see a doctor if ur getting feelings in your balls!
xD
about 2 months ago
That’s a heck of a great article.
Just reference: anybody can tell me something reliable on the 90-92 (including the Donington thing) live amps and speakers used?
about 2 months ago
i know that AC/DC used mesa boogie amp cabinets during the donnington show
about 2 months ago
It is believed that angus may have used some mesa boogie and marshall pre amp rack mounted amps but it’s not definite.
about 2 months ago
Hi Roe,
Did he take the Gibson pickups out of the L5 and put them in the Gretsch? Pretty sure all 1963 Jet Firebirds only ever had 2 pickups.If you look at a screen shot it definitely looks like a mod.He’s also playing the Gibson in the Baby please don’t go clip on Cowntdown.
about 2 months ago
I think so, I think I am actually sure
All Jets had only two pickups. The third cavity in the middle was carved by Malcolm, who later took out the added humbucker.
about 2 months ago
Only read Roe’s comment now. What Roe is saying – it is documented – is that Malcolm played that song with ANOTHER guitar, not the Jet
about 3 months ago
Also in the “Long Way To The Top” and “Jailbreak” film clips Malcolm is playing his Gretsch with 2 double black Gibson PAF pickups in the middle position.OK, he may be playing from the bridge pickup only but impossible to tell.He removed these Gibson pickups later as we all know but could they have had some bearing on the tone of these two songs if they were switched on??
about 2 months ago
mal said he only liked the filtertron bridge pickup. however, he used a gibson L5(S) on the song high voltage in the studio since the gretsch was broken. listen and you’ll hear the difference
R
about 2 months ago
i can hear the differents always thought it had a funny sound to mals tone on High Voltage
about 3 months ago
just another detail: in the very early days, WASP Holden amps were used
about 3 months ago
the following was taken from http://www.ozvalveamps.org/fhone.htm
“Fhone Century Series
By anon.
In the ACDC “Long Way To The Top” video you can see the boyz of “Accadacca” playing Fhone amps on the back of a truck. Fhone amps were made here in Melbourne Australia by Sid Grondman who did ACDC’s pa and amps right in the beginning of their career and who worked with them for a few years before they went to England. Sid also built a few Fhone amps for Angus.
You can see one here (http://acdc-bootlegs.com/concerthistory/?gig=6).
Yep-notice those unmistakable large silver knobs on the amp beside Angus on the ground. That’s a Fhone amp. Sid also sold a Fhone amp to Bill Wyman on an Australian Rolling Stones tour. “
about 3 months ago
yeah, I also think the amps were basically stock, although Malcolm has claimed that his Superbass was modified slightly. The strange 1976-77 master volume amps could turn up in late 76 and in 77, having the old style power and standby switches
about 3 months ago
thanks for collecting the pics and clips. It seems that you overlooked one important possibility: Marshall didn’t only make the 1959s and the standard 2203: As is fairly well-known, they also made a master volume amp in 1976: This amp is often confused with a 2203 but has the the same number of gain stages as a 1959 (2+ cathode follower). Reinhardt and others have commented on this before. It seems plausible that this amp was used in 1976-77.
Also, in interview the Young bros have stated that they tried out the master volume amps when they were released but that they ended up preferring the non-MV amps. This seems to be correct, although Angus and Mal used 2203 quite a lot in the late 70s. I think that the conclusions you draw about the importance of the 2203s and 2204s are slightly exaggerated. My view is that 1959s and 1992s were at least as important
about 3 months ago
Hi Roe mate, good to see you here.
Yes indeed, 1959s are way more important in AC/DCs history than anything else. We actually know this
I think it may come off here as 2203s being more important than they actually were because the timeframe observed here coincides much with 2203 usage. Not very many early pics of AC/DC exist (prior to 1977 that is), so the editor here concentrated mostly on the era where AC/DC started being more in the media eye.
We probably overlooked the possibility of a Master Volume 1959 as you say, but personally, I don’t think it was used much, if ever at all. Powerage, maybe Highway to Hell and Let There Be Rock were much likely played – Angus’ side at least, though I do believe Malcolm as well at least on Powerage – with 2203s more than anything else. You know I own all those amps of that era now, and I don’t buy the “production” work too much (to “make the sound”). I think I was able to replicate fairly well some of those sounds, right off of Powerage, Highway and LTBR using in fact, 2203s.
Unless solid proof of such a rare amplifier being used appears, I think we’ll stick to 2203s for the given era/albums /mainly, 1977 to 1979, “Back in Black” reintroducing massively 1959s).
But the more there is to learn, the better: for us here this is the main objective (which is mainly aimed at replicating those very sounds as closely as possible). The only thing is, we try to base ourselves on factual evidence and “sound” evidence as well
about 3 months ago
Fil, I believe Roe is talking about the “transition” MV amps. The first ones indeed had a circuit that was more similar to the 1959/ 1987. But, it is said that this only applied to the 50w one (2204).
The 2203 had the “cascaded” pre-amp circuit ever since it was introduced
Maybe AC/DC used these “odd-ball” amps too, but truth to be told, there’s just no way to know for sure.
Roe, maybe the way I wrote this little article made it look like the 2203/ 2204 was used more prominently, but you are right. Both the non-MV and MV had their own importance. I’d say 50/50.
From the early years up to 1976 = non-MV
1976 – 1978 = MV (non-MV appearing a lot in 1977)
1978 – 1979 = non-MV (MV appearing sometimes)
1979 (?) – somewhere in the 80′s = MV (non-MV all over the place too)
Recent years = non-MV
There are exceptions, of course (and many times we see MV and non-MV side-by-side onstage) but looking at the available pictures, this seem to be the “pattern”. It seens that the Young Brothers always bounced back and forth between all the Marshall amps.
But, hey…. Who am I trying to fool here? I’m only making assumptions – lol
I may be dead wrong. – haha.
But the bottom line is: Ang and Mal could use any amp and still rock out like no other! hehe
Cheers!
about 3 months ago
PS Also, Roe, what was really, really decisive for us here was the discovery of the Schaffer-Vega Diversity System.
By using that system, we were able to replicate those very sounds on generic to the era Marshall amplifiers such in fact, 1959 and 2203s. At least for Angus, I don’t think anything else was used in the 1977 1980 time-frame (which has been the one we focused mainly for now, trying to debunk the various eras).
Once one learns what the SVDS brings to the sound of such Marshalls, it is easier to recognize the amplifier behind it.
Despite the fact that even in such early years AC/DC’s amps may have been modified, I don’t think these were modifications assimilable to the ones used a lot more heavily during the ’80s in general terms (hence, really changing the character of the amps). AC/DC also started modifying their amps for sure at least in 1988, which is a more or less reliable fact the source being Mr. Rick St. Pierre with whom I have been in touch with a bit lately. But earlier on, I think the amps were – soundwise – more closely sounding to their stock form than anything else
about 3 months ago
I second that. Very unlikely they used modified amps that early. Just think about Angus’ statements in interviews about using the front output of the SVDS.
about 3 months ago
Hey guys, is it ok to run an 8 ohm head through a 16 ohm cab??
about 3 months ago
this is ok, but never do the opposite
about 3 months ago
awesome thanks
and do u know anything about recording angusrocks??
about 3 months ago
Hi Johnny, unfortunalety no.
When i record, this is very seldom, i use my digicam. The results are not perfect, but not bad.
about 3 months ago
alright, thanks anyways man
about 3 months ago
you`re welcome
about 3 months ago
How much does a cab filled with G12-65′s usually go for?I’m investing for a full stack.
about 3 months ago
Anyone know?What about a cab with G12H-30s?
about 3 months ago
Impossible to tell for G12-65s. As far as I know, Marshall doesn’t sell cabs with G12-65s. And for the G12H30, a new MR1960AHW costs around 800 Euros here.
about 3 months ago
Ohh so that’s what they call the H30 cabs…
about 4 months ago
When did Angus start using G12-65 and when did he use G12M ? I want to buy one of these but im not sure on what to get with my 2204
about 4 months ago
G12M were used during the early years (until 1977) and then again after 1995, if I’m not mistaken.
G12-65 were used from 1978 – 1988 (or something like that).