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Posts tagged Powerage
While we already knew that the Schaffer-Vega Diversity System had been used on Powerage (first studio album where it got used, actually), speaking with Angus the other day (yeah, right) gave me additional gas to go and play Powerage stuff. Here to you. First Powerage Video of the Schaffer Replica series, and also a song I had never covered on video previously. Great song, naturally (like most of this era if you ask me). Better get it right, right?
Just as a reminder of my theory (that finds recount on the “AC/DC in the Studio” book), this album was entirely played – by Angus Read more >
This one took me circa four days to prepare, before final recording that is. I have been trying with the microphone position (Neumann U47) and with mild – really just a bit – equalization.
The microphone used in this album – or the microphones – was a Neumann U47 FET, a different microphone to the Neumann U 47 tube version, which is older than the FET design. Read more >
After doing Riff Raff, I wanted to embark into something seemingly simpler (seemingly!). So I chose another one I knew already, at least in part (every time I approach these fine songs, I find some difference to what I used to think/know). Read more >
NOW I’m starting to have fun.
This video is the second one of the “debunking” series with the Schaffer-Vega Diversity.
As with the previous one, “Back in Black”, I intend to cover quite a few songs with the exact same equipment they used back then, or the closest approximation I have available.
I used the Schaffer-Vega here only on the solo – which is my own thingnote – as I believe was on most albums since 1978 onward. I love the SVDS: did you know? Read more >
given the new discoveries reported here, I tried.
2204, Vega at half TX sensitivity, guitar volume 8 at all times;
Amp settings were presence 0, bass 0, mid, treble 5, master 6 preamp 6
U47 close up; EQ in post was flat except for bass removal and a hole around the five hundred hz; used plexi baffles to obtain boxy sound plus closed reverb.
UPDATE: Our friend and member Currentpeak has just found this superb interview in audio form where Powerage sound engineer Opitz describes how Angus recorded the album back then.
This is Currentpeak‘s understanding, I am posting his comment as a whole:
It is a Michael Butler’s (of Rock ‘n’ Roll Geek Show) interview with Mark Opitz. As we know, he was an audio engineer/mixer/producer for many Albert Productions’ artists including AC/DC, The Angels, Rose Tattoo = real rock royalty! Read more >