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- That Perfect Couple – A Schaffer Replica Pedal & A Rock ‘n’ Roll Relics “Angus” Model (by Billy Rowe)
- While we wait…a 1961 Gibson SG Standard, a 1959 and the Replica
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- ‘Nuff said.
- The Schaffer Replica™ Gold Tag Version: Product design
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- Current State Of The Schaffer Replica Development – Gold Tag Version and Pedal – Part VI
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- T-Top Replicas – A successful tone report!
The Definitive “Back in Black” featuring an original Schaffer-Vega Diversity System (UPDATED!)
Hi my rockin' friend.
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Cheers, SD
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about 7 months ago
What pickups are used in this guitar!? My dad is about to make me an SG and he needs to know what pickups to install. I told him I don’t know because no one knows excactly what Angus used… But this is the closest I have ever heard to his sound so I know that this is the right place to ask. Please Answer Fil! I love you!!!
about 7 months ago
Hi Thomas,
did you catch my comment here?
http://www.solodallas.com/the-svds-replica-preordering-opened/comment-page-2/#comment-23289
it should supply you with the information that your need
Personally i would go with a Angus Young signature that rates at 12Kohm
about 7 months ago
further note: direct link to the post mentioned in my comment
http://www.solodallas.com/angus-young-bridge-humbucker-considerations/
about 7 months ago
Thank you ant. So use Angus young signature for both? Do you know what pickups were used in the guitar in this video by chance?
about 7 months ago
Hi soz i don’t know what Fil had in this one, angus always uses the bridge pickup (treble position) so you would only need the one powerful pickup you could stick a standard hum bucker in the neck pickup
about 7 months ago
Ouch sorry hadn’t seen the question.
In this one, original 1968 bridge t-top on 1968 std for rhythm, and 1970 original ttop for solos. Usually, I find 70s ttops slightly more aggressive (and amp-driving) and use these. Bridge only
about 7 months ago
Indeed bridge only. Another ting to debunk : Angus’ tone from 1974 – early 1977. He used almost only (!) the neck pickup. But with 2204′s, the sound has or extreme brightness, or too much bass.
about 7 months ago
Great feedback, Fil. I’ve been exclusively using the AY signature bridge pickup in all my SGs. I’d be interested to hear the difference in the two. I remember a pickup shoot-out here where the AY was recommended. How do you like the T Tops in comparison?
about 7 months ago
Yes i am interested in this as well!
about 9 months ago
>>Isn’t it always the same story? Don’t we end up finding what we wanted just at our latest attempt? Just like when you have several keys in your hand and only the last one is the right one! Damn! <<
YOU'VE NAILED IT FIL! It's a mystery.
(Though it is not always like this.- Sometimes the first key of the many has been the right one. That's probably intuition). I had the same experiences a several times. I was ready to give up on my 1976 Gibson SG Standart because studio recordings ALWAYS sounded so dumb and average, just boring, no SG or ACDC sound at all, although she had stock original Patent Number PU's (The problem was epoxy). Since years I didn`t enyoy playing my SG anymore. I startet to search for the reasons and studied guitar and amp tuning – and also the sound and equipement of your SoloDallas account on youtube. After two years of making and rebuilding several amp mods, buying a Plexi 1987x, trying many different Gibson humbuckers ( T-Top, sevaral 70'ies Humbuckers, Angus Young Signature, Burstbucker 2, Tim Shaw, 57 Classic and others, some sounded quite good but not like a classic SG or like ACDC), after trying nearly all Celestion Speakers of different decades I was at the point to give up my SG Standart and to put it aside, but I wouldn't sell it for some reasons. Seemed to be obviously a bad production day or a bad wood. A few months later after installing alu tailpiece and a locking bridge/tailpiece system I took time to install – my very last try – the humbucker into my guitar thats been lying for about 10 months in my cupboard – a burstbucker pro lead, bought via ebay from an US Seller for a very good price.
Than, playing it with a Marshall 2204 and 4 x G12T-75 Celestion non slanted – Guess what. A REVELATION!
Original PAF Sound of the 60'ies or 50'ies, this special hollow 3 dimensional sound, and punchy with such balls, nailed almost ACDC, the original and perfect SG Sound , awesome, could not stop playing anymore, played for hours, could absolute not lay my guitar away! In one second my standart was overtaking my other beloved and good sounding Gibsons, greatest change in sound ever.
Finally, unexpected at the end of my dreams and happy – a happy end after walking a long long and thorny road.
But do all these kind of storys and experiences not tell us, we shall always follow what our heart long for and never give in?
Celestion G12-65: Thats weird. I tested them too, but they sounded so scratchy and somekind of too vintage, no punch (maybe it was because of the a slanted cabinet), too less definition. But it's always the combination, I could not test it with a 1959.
SVDS Replica: After all the comments I've read about the SVDS Replica I am starting to be interested in that thing. That will be probably an optionn for me, later on.
Thank You Fil for all these informations and for your engagement in finding the perfect SG/Marshall/Guitar sound and sharing this with us all!
about 9 months ago
Man, you really almost nailed it! Congratulations, great work!
Personally, I would go with a hair less gain, a bit more treble and also a hair less mids.That could be achieved with removing the PU-Covers (which is a logical thing to do, if you think about Angus SGs of that time)-the result would be a more open sound.Maybe a bit less boost of the SVDS..Very Slightly more Room-Mics mixed in and a hair of Platts “doubling Delay” .
I think that would be perfect. But thats just my humble ideas.
Keep up the great work!!